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Vesterlund, Per, UniversitetslektorORCID iD iconorcid.org/0000-0003-0505-9119
Publications (10 of 59) Show all publications
Vesterlund, P. (2019). Om den förlorade sakligheten: En tendens i svenska dokumentära TV-bilder under 2000-talet. In: : . Paper presented at Populism, demokrati och humaniora. Högskolan i Gävle. 14-15 november 2019.
Open this publication in new window or tab >>Om den förlorade sakligheten: En tendens i svenska dokumentära TV-bilder under 2000-talet
2019 (Swedish)Conference paper, Oral presentation with published abstract (Other academic)
Abstract [sv]

En traditionell förståelse av dokumentärfilmen placerar den i de saklighetens diskursiva fält som utgörs av områden som vetenskap, ekonomi och politik. I de senaste decenniernas essäistiska och postmoderna dokumentärfilm är dock en tydligt relativiserande och subjektivistisk utveckling en ofta iakttagen estetisk tendens. Här argumenteras för att tendenser som utmanar dokumentära filmers objektivistiska normer inte bara är en företeelse synlig i en smal konstnärligt orienterad filmkultur, utan också tydligt präglar ett bredare utbud av samhällsorienterad TV-dokumentär.  I presentationen diskuteras hur: 1) Ett retoriskt skifte successivt kan skönjas vad gäller de estetiska idealen för breda dokumentära reportage och filmer, där ett större fokus kommit att ligga på subjektivitet och känslor. Och mindre på sakframställning. 2) Hur (fr.a.) TV-reportage och dokumentärer under 2000-talet blivit allt viktigare katalysatorer i samhällspolitiska processer, i offentliga debatter och till och med i rättsfrågor. Exempel som tas upp är de två filmerna Könskriget (2005), filmerna Experimenten om kirurgen Macchiarini (2016) samt dokumentären Älska mig för den jag är om sångerskan Josefin Nilsson (2019). 3) Hur dessa filmer samspelar med en offentlighet i omvandling där nya medier i hög grad är arenor för en känslomässigt fokuserad diskussion, och där TV-dokumentärer i flera fall blivit utgångspunkter för inte bara debatt utan också lett till beslut i rättsprocesser och påverkat politiska skeenden

Keywords
TV-dokumentärer, populism, public service
National Category
Studies on Film
Identifiers
urn:nbn:se:hig:diva-30987 (URN)
Conference
Populism, demokrati och humaniora. Högskolan i Gävle. 14-15 november 2019
Available from: 2019-11-18 Created: 2019-11-18 Last updated: 2019-11-19Bibliographically approved
Vesterlund, P. (2019). Television spies, Swedish neutrality and nostalgia in the mini-seris Operation Argus and Kullamannen. In: : . Paper presented at Lübeck Film Studies Colloquium, November 1-2, 2019. Lübeck, Germany.
Open this publication in new window or tab >>Television spies, Swedish neutrality and nostalgia in the mini-seris Operation Argus and Kullamannen
2019 (English)Conference paper, Oral presentation with published abstract (Other academic)
Abstract [en]

Television spies, Swedish neutrality and nostalgia in the mini-seris Operation Argus and Kullamannen

Two of the most popular Swedish mini-series in the mid 1960s were Operation Argus (1966) and Kullamannen (“The Man from the Hill”, 1967). Operation Argus was a spy story situated in and around the Swedish navy during World War II. Kullamannen was a spy thriller produced for children (and with children as protagonists) in a contemporary, idyllic rural setting in southern Sweden, where a summer vacation turns into a dangerous game about war and peace. In the paper I use the Cold-War context of the 1960s as a point of departure, since this was of key importance for the then so popular spy genre in the strictly neutral Sweden, in order to discuss how this context is present in two generically quite different mini-series. The Cold-war is absent in both cases. In Operation Argus through the WWIi-context, in Kullamannen with both heroes and villians representing unnamned countries. I also note how the two productions relate to the concept of nostalgia - nostalgia both as represented and as retrospective reception.

Keywords
TV-drama, Cold War, Spy Genres, Neutrality, Nostalgia
National Category
Studies on Film
Identifiers
urn:nbn:se:hig:diva-30986 (URN)
Conference
Lübeck Film Studies Colloquium, November 1-2, 2019. Lübeck, Germany
Available from: 2019-11-18 Created: 2019-11-18 Last updated: 2019-11-19Bibliographically approved
Vesterlund, P. (2019). Transmedia Storytelling in Early Swedish TV-drama: From Theatre, Novel and Film to Television, Radio and Press. In: : . Paper presented at Structures and Voices: Storytelling in Post-Digital Times―The NECS 2019 Conference, 13-15 June 2019, Gdańsk, Poland.
Open this publication in new window or tab >>Transmedia Storytelling in Early Swedish TV-drama: From Theatre, Novel and Film to Television, Radio and Press
2019 (English)Conference paper, Oral presentation with published abstract (Other academic)
Abstract [en]

With overt influences from recent developments of semi-documentary narration in international – foremost British – TV-drama, Swedish public service TV Sveriges Radio radically changed the drama production policies in the late 1960s. In august 1967 head of drama department, Henrik Dyfverman, officially declared the direction of the new policy: the repertoire of the forthcoming season 1967/1968 would be “considerably Swedish” and “oriented towards society” (Dagens Nyheter, August 24, 1967)

This new Swedish TV-drama of social commitment was not emerging in a void. Severe critique of the contemporary Swedish welfare state was already at hand in public debate spread over press, radio, debate books and TV. The new TV-drama was intertwined with a number of other genres in different media. Novels and theatre plays were adapted to TV, film directors switched between the two media, and in the press TV-drama came to be a recurrent topic for new stories on the shortcoming of welfare institutions.   

Especially after the introduction of the second channel in December 1969, the domestic TV-drama received a privileged place in the press. Almost each new social oriented series or film caused a heavy debate. Primarily it was subject matter that was discussed, but also aesthetic questions were sometimes in focus. Debates were spontaneous as well as arranged by entangled media. A usual setup was an aired TV-play, followed by a studio debate where experts as well as concerned citizens participated. In the daily press, such a setup was usually followed with both articles by experts and public opinions. Sometimes journalists constituted panels of farmers, nurses, teachers, pupils or athletes, i.e. the group concerned by the societal problem the film/series in question concerned, to get their judgements of how well the fiction resembled their reality. The paper will be centred round couple of case studies on such collaboration between media.

Keywords
TV-drama, welfare state, narration, reception, transmediality
National Category
Studies on Film
Identifiers
urn:nbn:se:hig:diva-30396 (URN)
Conference
Structures and Voices: Storytelling in Post-Digital Times―The NECS 2019 Conference, 13-15 June 2019, Gdańsk, Poland
Available from: 2019-07-03 Created: 2019-07-03 Last updated: 2019-11-21Bibliographically approved
Vesterlund, P. (2019). Ur Harry Scheins arkiv: Nedslag i 1900-talets svenska mediehistoria. Lund: Mediehistoriskt arkiv
Open this publication in new window or tab >>Ur Harry Scheins arkiv: Nedslag i 1900-talets svenska mediehistoria
2019 (Swedish)Book (Refereed)
Abstract [sv]

Harry Schein är en person som har fascinerat den svenska offentligheten i decennier. Han var inte bara en omsusad celebritet utan också en av den moderna svenska mediehistoriens mest inflytelserika personer. Hans insats i inrättandet av Svenska Filminstitutet 1963 är väldokumenterad och omskriven, men han hade också en rad andra viktiga uppdrag inom filmbransch, press och etermedier. Dessutom var han en flitig skribent och samhällsdebattör. I boken Ur Harry Scheins arkiv. Nedslag i 1900-talets svenska mediehistoria framträder i ett antal fall­studier olika dimensioner av Scheins professionella livsbana. Han undersöks som filmkritiker, mediepolitiker och utredare av kommunikationsteknologi. Hans position i samhällsliv och politiska och kultu­rella nätverk är en återkommande referenspunkt.

Place, publisher, year, edition, pages
Lund: Mediehistoriskt arkiv, 2019
Series
Mediehistoriskt arkiv, ISSN 1654-6601 ; 42
Keywords
filmpolitik, filmkritik, mediepolitik, kulturpolitik, medieforskning
National Category
Studies on Film
Identifiers
urn:nbn:se:hig:diva-30611 (URN)978-91-985045-4-5 (ISBN)978-91-985045-5-2 (ISBN)
Funder
Swedish Research Council, 2009-01497
Available from: 2019-08-29 Created: 2019-08-29 Last updated: 2019-10-01Bibliographically approved
Vesterlund, P. (2018). Loyalty and Betrayal in Swedish TV-fiction: The radical 1970s and contemporary Nordic Noir. In: : . Paper presented at 5th Lübeck Film Studies Colloquium, 2-3 november 2018, Lübeck, Germany.
Open this publication in new window or tab >>Loyalty and Betrayal in Swedish TV-fiction: The radical 1970s and contemporary Nordic Noir
2018 (English)Conference paper, Oral presentation with published abstract (Other academic)
Abstract [en]

Swedish TV-drama from the 1970s and (to lower extent) the 1980s have usually been identified with an overt social content. Societal institutions of the welfare state, like public schools or health care, were often in focus. When the Scandinavian crime fiction of today is said to contain social perspectives, and sometimes to depict the disruption of the welfare state, Swedish TV-fiction of the 1970s seems to have been just as critical towards the contemporary society.

The paper will discuss the aesthetic and rhetorical strategies in the narrative and visual depiction of the relation between individual characters and institutions. With vulnerability as one main concept, the era of Swedish TV-fiction of the 1970s and 1980s will be related to later periods – foremost contemporary criminal fiction of the 2010s. The interplay between vulnerability of institutions and the vulnerability of citizens will be one of several tentative thematic issues discussed.

Keywords
TV drama, social committment, Nordic Noir
National Category
Studies on Film
Identifiers
urn:nbn:se:hig:diva-28677 (URN)
Conference
5th Lübeck Film Studies Colloquium, 2-3 november 2018, Lübeck, Germany
Available from: 2018-11-27 Created: 2018-11-27 Last updated: 2018-12-03Bibliographically approved
Vesterlund, P. (2018). Myglaren – Media Tactics in the Wake of the New Swedish Film Policy of 1963. In: : . Paper presented at NECS - European Network for Cinema and Media Studies 2018, 28-30 June, Amsterdam, The Netherlands.
Open this publication in new window or tab >>Myglaren Media Tactics in the Wake of the New Swedish Film Policy of 1963
2018 (English)Conference paper, Oral presentation only (Refereed)
Abstract [en]

The Swedish “film reform” of 1963 – when the Swedish Film Institute (SFI) was founded, and a national system of film subsidies was to be introduced – led to changes in the strategies of national film production and a general institutionalization of national film culture and art cinema values.

In the history of Swedish cinema, a less high-lighted effect of the new system is the different kinds of temporary tactical enactments that followed the reform. These media tactics could often be recognized as temporary or singular actions. There were frequently examples of producers pre- or postponing the opening night of a film in order to have the premiere registered in the “right” year; or of producers adding scenes to film to reach the required length for a feature film to be entitled to subsidies.  

These tactical manoeuvres were regularly reported on by the press. Not only were the long-term strategies of fitting into the “Ingmar Bergman-pattern” discussed, but also short-sighted attempts to deceive the new system gained public attention. In 1966 the film Myglaren (The Fixer) by Jan Myrdal and Rune Hassner was subject to both these discourses in the public debate. The film was an overt critique of the social democracy, but also an implicit critique of the new film policy. Originally produced for TV, the film was not entitled to any subsidy. The two directors, however, staged one single showing in a movie theatre, in order to be able to apply for funding from the SFI. The aim of their application was also to start a debate on the film reform.

In this paper, I will make this outstanding case pivotal in a discussion of strategies and tactics in Swedish 1960s cinema.    

Keywords
film policy, art cinema, welfare state, media subsidies, film debates
National Category
Studies on Film
Identifiers
urn:nbn:se:hig:diva-27562 (URN)
Conference
NECS - European Network for Cinema and Media Studies 2018, 28-30 June, Amsterdam, The Netherlands
Available from: 2018-07-10 Created: 2018-07-10 Last updated: 2018-09-03Bibliographically approved
Vesterlund, P. (2018). Schein: En biografi (1ed.). Stockholm: Albert Bonnier förlag
Open this publication in new window or tab >>Schein: En biografi
2018 (Swedish)Book (Other academic)
Place, publisher, year, edition, pages
Stockholm: Albert Bonnier förlag, 2018. p. 532 Edition: 1
Keywords
Filmhistoria, mediehistoria, filmpolitik, mediepolitik, filmkritik
National Category
Studies on Film
Identifiers
urn:nbn:se:hig:diva-26497 (URN)978-91-0-014183-7 (ISBN)
Projects
Citizen Schein:
Funder
Swedish Research Council, 2009-30507-67947-19
Available from: 2018-04-24 Created: 2018-04-24 Last updated: 2018-05-21Bibliographically approved
Hyvönen, M., Snickars, P. & Vesterlund, P. (2018). The formation of Swedish media studies, 1960–1980. Media History, 24(1), 86-98
Open this publication in new window or tab >>The formation of Swedish media studies, 1960–1980
2018 (English)In: Media History, ISSN 1368-8804, E-ISSN 1469-9729, Vol. 24, no 1, p. 86-98Article in journal (Refereed) Published
Abstract [en]

Around 1960, the politics of the emerging media society in Sweden tended to fixate the formative functions of mass communication. The monopoly of public service broadcast media, press subsidies and new tendencies in film policy were some of the issues around which uncertainty prevailed. New methods to provide reliable data were sought by politicians, since empirical facts were required as arguments for an updated media policy. This article examines the different ways that the field of media studies was introduced in Sweden between 1960 and 1980. We argue that Swedish academic media studies departed from, and emerged within, a rather diffuse borderland between industry, politics and academia. The formation of national media research in Sweden can partly be seen as an effect of politicians and the media industry wanting to be better informed on issues such as media influence, media ownership and the habits and composition of the media audience.

Keywords
Swedish media history, history of media studies, Sweden, media policy
National Category
Media Studies
Identifiers
urn:nbn:se:hig:diva-28681 (URN)10.1080/13688804.2016.1270751 (DOI)000436316500005 ()2-s2.0-85012097752 (Scopus ID)
Available from: 2018-11-27 Created: 2018-11-27 Last updated: 2019-11-29Bibliographically approved
Vesterlund, P. (2018). Vem dödade Leif?: Sjukhuset i den svenska tvåkanalstelevisionens dramatik. In: : . Paper presented at Berätta för livet! Om narrativ medicin och personcentrerad vård, 13-14 november 2018, Växjö, Sverige.
Open this publication in new window or tab >>Vem dödade Leif?: Sjukhuset i den svenska tvåkanalstelevisionens dramatik
2018 (Swedish)Conference paper, Oral presentation with published abstract (Other academic)
Abstract [sv]

När första säsongen av den svenska TV-serien Jourhavande hade premiär den 17 mars 1974 var den på flera sätt typisk för svenska TV-dramatik av sin tid. Den kännetecknades av en realistisk estetik, den adresserade samhälleliga problem, och den blev häftigt uppmärksammad och debatterad i pressen.

Under 1970-talet blev denna så kallade TV-teater en nationell angelägenhet av vikt. I en tid av biografkris framstår i efterhand den inhemska tv-dramatiken som en av de mest publikt centrala audiovisuella nationella produktions- och distributionsformen för sin tid. TV-serierna och pjäserna präglades av tidens politiserade anda och fungerade som projektionsytor för aktuella samhälleliga konflikter. Ofta fokuserade TV-dramatiken välfärdsstatens funktioner. Företeelser som arbetslöshet (Friställd, 1969) eller migration från landsbygden (Hem till byn, 1971-1976; Fiskeläget, 1974) och institutionella kontexter i välfärdsstaten som skola (Lära för livet, 1977) eller idrottsrörelse (Hammarstads BK, 1977) i fokus.

Ett återkommande tema i dessa produktioner var hälso- och sjukvård. De kanske främsta exemplen är de två serierna Jourhavande (1974) och Babels hus (1981). Båda fokuserar maktmissbruk, stordrift och ekonomism i den svenska sjukvården. Båda har det stora sjukhuset som spelplats. Jourhavande regisserades av Jackie Söderman efter manus av Gunnar E. Sandgren. Den visades i två säsonger 1974 och 1975. Babels hus regisserades av Jonas Cornell, efter manus av förlagans författare P C Jersild, och hade premiär i januari 1981. Båda serierna sågs av en stor publik och ledde till häftig debatt. Det var inte så mycket själva serierna som debatterades utan den verklighet de beskrev – och kritiserade.

I min presentation kommer jag dels att tala om hur sjukvårdens problem gestaltades och berättades i dessa serier, samt om hur sjukhuset konstrueras som dystopisk miljö. Dels kommer jag att diskutera mottagandet i pressen av serierna. Jag kommer också att anknyta till skildringar av sjukhusmiljö i andra TV-produktioner från perioden.

Keywords
TV-dramatik, sjukvård, social tematik, 1970-talet
National Category
Studies on Film
Identifiers
urn:nbn:se:hig:diva-28678 (URN)
Conference
Berätta för livet! Om narrativ medicin och personcentrerad vård, 13-14 november 2018, Växjö, Sverige
Available from: 2018-11-27 Created: 2018-11-27 Last updated: 2018-12-03Bibliographically approved
Vesterlund, P. (2018). Vulnerable representations of urbanization – Rekordåren 1966, 1967, 1968... (The Record Years 1966/1967/1968). In: Eva Åsén Ekstrand och Olle Findahl (Ed.), Consuming the Environment 2017: Multidisciplinary approaches to urbanization and vulnerability. Paper presented at Consuming the Environment 2017, 3-5 December 2017, Gävle, Sweden (pp. 114-126). Gävle: Gävle University Press
Open this publication in new window or tab >>Vulnerable representations of urbanization – Rekordåren 1966, 1967, 1968... (The Record Years 1966/1967/1968)
2018 (English)In: Consuming the Environment 2017: Multidisciplinary approaches to urbanization and vulnerability, Gävle: Gävle University Press , 2018, p. 114-126Conference paper, Published paper (Refereed)
Place, publisher, year, edition, pages
Gävle: Gävle University Press, 2018
National Category
Studies on Film
Identifiers
urn:nbn:se:hig:diva-27564 (URN)978-91-88145-23-9 (ISBN)
Conference
Consuming the Environment 2017, 3-5 December 2017, Gävle, Sweden
Available from: 2018-07-10 Created: 2018-07-10 Last updated: 2018-09-03Bibliographically approved
Projects
Citizen Schein - Studying Swedish Cinema Culture, Media Politics and the Archive of Harry Schein [2009-01497_VR]; University of Gävle; Publications
Vesterlund, P. (2019). Ur Harry Scheins arkiv: Nedslag i 1900-talets svenska mediehistoria. Lund: Mediehistoriskt arkivVesterlund, P. (2016). The Celebrity in the Archive: Schein and Memory. In: : . Paper presented at Deconstructing Harry: The Many Academic Lives of Harry Schein, 26-27 feb 2016, IMS Stockholm University, Stockholm, Sweden. Vesterlund, P. (2015). Samhället i medierna?: Harry Schein och medieforskningen. In: Mats Hyvönen, Pelle Snickars & Per Vesterlund (Ed.), Massmedieproblem: Mediestudiets formering (pp. 349-374). Lund: Lunds universitetVesterlund, P. (2014). National Film Policy as a Media Event. In: : . Paper presented at The NECS 2014 Conference, Creative energies » Creative industries, 19-21 June 2014, Milan, Italy. Vesterlund, P. (2014). När medier blev vetenskap: Om tre nordiska massmediekonferenser 1972-1974. In: Cronqvist, Marie, Lundell, Patrik & Snickars, Pelle (Ed.), Återkopplingar: (pp. 51-70). Lund: Mediehistoriskt Arkiv, Lunds universitetVesterlund, P. (2013). Cinema studies in the service of liberty?: The early research on media effects by “Filmforskningsgruppen” at the Swedish Film Institute 1964–1971. In: : . Paper presented at ECREA Film Studies Section Interim Conference, 8-9 November 2013, Lund, Sweden. Vesterlund, P. (2013). När medier blev vetenskap: tre nordiska massmediekonferenser 1972-1974. In: : . Paper presented at Kulturhistorisk medieforskning III - Nordiska perspektiv, 23-24 april 2013, Lund, Sverige. Vesterlund, P. (2013). Vägen till filmavtalet: Harry Scheins filmpolitiska aktivitet innan 1963. Nordisk kulturpolitisk tidskrift, 16(1), 45-67Vesterlund, P. (2012). Arkivvärde, programvärde, marknadsvärde. In: Mats Jönsson, Pelle Snickars (Ed.), "Skosmörja eller arkivdokument": Om filmarkivet.se och den digitala filmhistorien (pp. 49-66). Stockholm: Kungliga biblioteketVesterlund, P. (2012). Pull Out the Cable!: The Public Reception of a Suggested National Politics on Audiovisual Media and Telecommunication in Sweden in 1972.. In: : . Paper presented at TIME NETWORKS: SCREEN MEDIA AND MEMORY The NECS 2012 Conference Lisbon, 21st-23th June 2012 Hosted by the New University of Lisbon and the University of Coimbra.
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0003-0505-9119

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