What image comes to your mind when you hear ‘Blooms Taxonomy’? Most likely it is a pyramid with several different colored levels of knowledge from ‘remember’ to ‘create’, with implied or explicit arrows pointing upward. In fact, this visualization of taxonomy is one of the most popular. Yet, its origin remains a mystery: it was not part of Bloom’s et al (1956) original framework or the later revision (Anderson & Krathwohl, 2001). On the one hand, pyramids and triangles are a common way of visualizing theoretical models in the social and educational sciences: think of the didactic triangle, Maslow’s hierarchy of needs (1943), or Dale’s cone of experience (1946). However, while these models have largely retained their original pyramidal representations over time, Bloom’s taxonomy has evolved into various visual metaphors such as ladders, trees, circles, and flowers. What ideas about knowledge do these visualizations convey?
Developed in the 1950s, Bloom’s Taxonomy was designed to provide a wide range of educational professionals with a simple theoretical model that could be used to address curriculum and evaluation problems (Bloom et al, 1956, p. 1). Essentially a product of behaviorism, Bloom’s taxonomy emphasizes observable students’ behaviors resulting from instructions. Moreover, the very word “taxonomy” represents an attempt to apply models from the natural sciences, particularly biology, to the field of education. In biology, taxonomy refers to the classification of organisms into a hierarchical structure based on shared characteristics. By borrowing this concept from the natural sciences, Bloom’s Taxonomy sought to bring a similar order and ‘scientific’ rigor to educational objectives. A taxonomy, according to Bloom, unlike a simple classification system, must follow structural rules and reflect a “real” order among the phenomena it organizes (Bloom et al, 1956, p. 18). It is a method of ordering phenomena that should reveal their essential properties as well as significant relationships among them (p. 17). Recognizing the difference between classifying phenomena in the natural sciences and more abstract educational phenomena, Bloom noted that educational objectives, when expressed in behavioral terms, could indeed be observed, described, and thus classified.
Bloom’s Taxonomy has not only survived the decline of behaviorism but is still widely used in educational planning and evaluation in different parts of the world, including Europe (Anderson & Sosniak, 1994). Moreover, a new revision, known as Bloom’s Digital Taxonomy, was recently developed by Churches (2008) to account for the skills required in the digital age. Such persistence of the taxonomy can be attributed to several factors. First, its structured approach provides a practical and easy-to-use framework for educators and curriculum designers. Second, its adaptability to different visual metaphors may also contribute to its enduring appeal (see Mitchell, 2005). Third, most research on taxonomy tends to focus on its interpretations, misinterpretations and application in educational practice but ignores its historical origins, theoretical underpinnings, and visualizations.
This study explores the confluence of ideas and practices through which a hierarchy of knowledge is produced and disseminated as scientific facts. Specifically, it examines the assumptions and beliefs about knowledge implicit in the Bloom’s Taxonomy and its different visual representations. In doing so, the study brings together and extends the insights from a growing body of literature on how pictorial and graphic displays of conceptual models, methods or data transform ‘invisible’ phenomena into visible facts (Baigrie, 1996; Coopmans et al, 2014; Jones & Galison, 1998; Latour, 1993, 2017; Lynch, 1981; Pauwels, 2005; Rogers et al, 2021). This means that we regard pictures as an important part of discourses that establish ‘regimes of truth’ (Foucault, 2014) and promote certain ways of thinking, knowing, seeing, and acting in the world.