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'Why not make films for New York?': the interaction between cultural, political and commercial perspectives in Swedish film policy 1963–2013
Centre for Languages and Literature, Lund University, Lund, Sweden.
Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Media- och kommunikationsvetenskap.
2016 (engelsk)Inngår i: The International Journal of Cultural Policy, ISSN 1028-6632, E-ISSN 1477-2833, Vol. 22, nr 5, s. 743-757Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

During the last two decades, film support, film policy and the public financing of audiovisual production in Scandinavia and particularly Sweden have undergone extensive change. These transformations may be seen as responses to globalisation, to increased sub-national regional independence as well as to the emergence of ideas related to the nurturing of the ‘creative industries’. They may also be seen to be a consequence of the increasing permeability of the borders of European nation-states. This article traces a history of film policy in a geographically marginal part of Europe that has been characterised by a range of tensions as a result of competing definitions of film as art and commerce. These tensions are traced back to the 1960s when film support were first introduced and the first seeds of conflict€“ – still discernible in the present situation –  were planted.

sted, utgiver, år, opplag, sider
2016. Vol. 22, nr 5, s. 743-757
Emneord [en]
European film, film policy, Swedish film
HSV kategori
Identifikatorer
URN: urn:nbn:se:hig:diva-22711DOI: 10.1080/10286632.2016.1223641ISI: 000386588100006Scopus ID: 2-s2.0-84991581739OAI: oai:DiVA.org:hig-22711DiVA, id: diva2:1045153
Tilgjengelig fra: 2016-11-08 Laget: 2016-11-08 Sist oppdatert: 2018-03-13bibliografisk kontrollert

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