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  • 51.
    Vesterlund, Per
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Media- och kommunikationsvetenskap.
    Television spies, Swedish neutrality and nostalgia in the mini-series Operation Argus and Kullamannen2019Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    Television spies, Swedish neutrality and nostalgia in the mini-seris Operation Argus and Kullamannen

    Two of the most popular Swedish mini-series in the mid 1960s were Operation Argus (1966) and Kullamannen (“The Man from the Hill”, 1967). Operation Argus was a spy story situated in and around the Swedish navy during World War II. Kullamannen was a spy thriller produced for children (and with children as protagonists) in a contemporary, idyllic rural setting in southern Sweden, where a summer vacation turns into a dangerous game about war and peace. In the paper I use the Cold-War context of the 1960s as a point of departure, since this was of key importance for the then so popular spy genre in the strictly neutral Sweden, in order to discuss how this context is present in two generically quite different mini-series. The Cold-war is absent in both cases. In Operation Argus through the WWIi-context, in Kullamannen with both heroes and villians representing unnamned countries. I also note how the two productions relate to the concept of nostalgia - nostalgia both as represented and as retrospective reception.

  • 52.
    Vesterlund, Per
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Media- och kommunikationsvetenskap.
    The body in the tower of Babel: Health care and illness in Swedish TV-fiction since 19702017Konferansepaper (Fagfellevurdert)
    Abstract [en]

    A remarkable increase of domestic production of TV-fiction was apparent in Sweden from 1970, when the second national public service television channel (TV2) was established, and onwards. Serials and single films produced by the national public service have in retrospect been regarded as a vital part of national popular memory.

    Swedish TV drama in the 1970s and (to lower extent) in the 1980s has usually been identified with realism and overt social content. Central institutions of the welfare state – like public school or health care – were often in focus. During the introduction of cable TV in the mid 1980s, the genrescape of Swedish TV drama changed rapidly. Crime fiction and melodrama/soap operas or high quality mini-series, successively replaced the dominance of contemporary social drama. With the huge success of Scandicrime/Nordic Noir during the 2000s and 2010s, further changes in Swedish TV-fiction is apparent.

    One constant theme throughout these changing conditions of genre structures and production practices surrounding TV drama in Sweden, is the representation of illness and health care. All since Jourhavande (On duty for the day, 1973 and 1975), about the working conditions and quality of care in a small hospital, health care and medical treatment have been a recurring theme in Swedish TV drama. Babels hus (The House of Babel 1981), a bleak artful drama in six episodes focusing an elderly man recovering from a heart attack, and family melodrama serial Skärgårdsdoktorn (Doctor in the Archipelago, 1997-2000), are the most successful examples concerning audience following.

    In my paper, I will examine drama series concentrating solely on health care (hospitals, retirement homes, private practitioner, etc.), as well as in other productions in different genres. My aim is to discuss aesthetic and thematic dimensions, with changing notions of the welfare state as one recurrent context.

     

  • 53.
    Vesterlund, Per
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Media- och kommunikationsvetenskap.
    The Celebrity in the Archive: Schein and Memory2016Konferansepaper (Annet vitenskapelig)
  • 54.
    Vesterlund, Per
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Media- och kommunikationsvetenskap.
    Transmedia Storytelling in Early Swedish TV-drama: From Theatre, Novel and Film to Television, Radio and Press2019Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    With overt influences from recent developments of semi-documentary narration in international – foremost British – TV-drama, Swedish public service TV Sveriges Radio radically changed the drama production policies in the late 1960s. In august 1967 head of drama department, Henrik Dyfverman, officially declared the direction of the new policy: the repertoire of the forthcoming season 1967/1968 would be “considerably Swedish” and “oriented towards society” (Dagens Nyheter, August 24, 1967)

    This new Swedish TV-drama of social commitment was not emerging in a void. Severe critique of the contemporary Swedish welfare state was already at hand in public debate spread over press, radio, debate books and TV. The new TV-drama was intertwined with a number of other genres in different media. Novels and theatre plays were adapted to TV, film directors switched between the two media, and in the press TV-drama came to be a recurrent topic for new stories on the shortcoming of welfare institutions.   

    Especially after the introduction of the second channel in December 1969, the domestic TV-drama received a privileged place in the press. Almost each new social oriented series or film caused a heavy debate. Primarily it was subject matter that was discussed, but also aesthetic questions were sometimes in focus. Debates were spontaneous as well as arranged by entangled media. A usual setup was an aired TV-play, followed by a studio debate where experts as well as concerned citizens participated. In the daily press, such a setup was usually followed with both articles by experts and public opinions. Sometimes journalists constituted panels of farmers, nurses, teachers, pupils or athletes, i.e. the group concerned by the societal problem the film/series in question concerned, to get their judgements of how well the fiction resembled their reality. The paper will be centred round couple of case studies on such collaboration between media.

  • 55.
    Vesterlund, Per
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Media- och kommunikationsvetenskap.
    Ur Harry Scheins arkiv: Nedslag i 1900-talets svenska mediehistoria2019Bok (Fagfellevurdert)
    Abstract [sv]

    Harry Schein är en person som har fascinerat den svenska offentligheten i decennier. Han var inte bara en omsusad celebritet utan också en av den moderna svenska mediehistoriens mest inflytelserika personer. Hans insats i inrättandet av Svenska Filminstitutet 1963 är väldokumenterad och omskriven, men han hade också en rad andra viktiga uppdrag inom filmbransch, press och etermedier. Dessutom var han en flitig skribent och samhällsdebattör. I boken Ur Harry Scheins arkiv. Nedslag i 1900-talets svenska mediehistoria framträder i ett antal fall­studier olika dimensioner av Scheins professionella livsbana. Han undersöks som filmkritiker, mediepolitiker och utredare av kommunikationsteknologi. Hans position i samhällsliv och politiska och kultu­rella nätverk är en återkommande referenspunkt.

  • 56.
    Vesterlund, Per
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Media- och kommunikationsvetenskap.
    Uses of Vulnerability: Two Eras of Social Committment in Swedish TV Drama?2020Inngår i: Vulnerability in Scandinavian Art and Culture / [ed] Adriana Margareta Dancus, Mats Hyvönen & Maria Karlsson, Palgrave Macmillan, 2020, s. 127-150Kapittel i bok, del av antologi (Fagfellevurdert)
  • 57.
    Vesterlund, Per
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Media- och kommunikationsvetenskap.
    Vem dödade Leif?: Sjukhuset i den svenska tvåkanalstelevisionens dramatik2018Konferansepaper (Annet vitenskapelig)
    Abstract [sv]

    När första säsongen av den svenska TV-serien Jourhavande hade premiär den 17 mars 1974 var den på flera sätt typisk för svenska TV-dramatik av sin tid. Den kännetecknades av en realistisk estetik, den adresserade samhälleliga problem, och den blev häftigt uppmärksammad och debatterad i pressen.

    Under 1970-talet blev denna så kallade TV-teater en nationell angelägenhet av vikt. I en tid av biografkris framstår i efterhand den inhemska tv-dramatiken som en av de mest publikt centrala audiovisuella nationella produktions- och distributionsformen för sin tid. TV-serierna och pjäserna präglades av tidens politiserade anda och fungerade som projektionsytor för aktuella samhälleliga konflikter. Ofta fokuserade TV-dramatiken välfärdsstatens funktioner. Företeelser som arbetslöshet (Friställd, 1969) eller migration från landsbygden (Hem till byn, 1971-1976; Fiskeläget, 1974) och institutionella kontexter i välfärdsstaten som skola (Lära för livet, 1977) eller idrottsrörelse (Hammarstads BK, 1977) i fokus.

    Ett återkommande tema i dessa produktioner var hälso- och sjukvård. De kanske främsta exemplen är de två serierna Jourhavande (1974) och Babels hus (1981). Båda fokuserar maktmissbruk, stordrift och ekonomism i den svenska sjukvården. Båda har det stora sjukhuset som spelplats. Jourhavande regisserades av Jackie Söderman efter manus av Gunnar E. Sandgren. Den visades i två säsonger 1974 och 1975. Babels hus regisserades av Jonas Cornell, efter manus av förlagans författare P C Jersild, och hade premiär i januari 1981. Båda serierna sågs av en stor publik och ledde till häftig debatt. Det var inte så mycket själva serierna som debatterades utan den verklighet de beskrev – och kritiserade.

    I min presentation kommer jag dels att tala om hur sjukvårdens problem gestaltades och berättades i dessa serier, samt om hur sjukhuset konstrueras som dystopisk miljö. Dels kommer jag att diskutera mottagandet i pressen av serierna. Jag kommer också att anknyta till skildringar av sjukhusmiljö i andra TV-produktioner från perioden.

  • 58.
    Vesterlund, Per
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Media- och kommunikationsvetenskap.
    Vulnerable representations of urbanization – Rekordåren 1966, 1967, 1968... (The Record Years 1966/1967/1968)2018Inngår i: Consuming the Environment 2017: Multidisciplinary approaches to urbanization and vulnerability, Gävle: Gävle University Press , 2018, s. 114-126Konferansepaper (Fagfellevurdert)
  • 59.
    Vesterlund, Per
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Media- och kommunikationsvetenskap.
    Vulnerable Representations of Urbanization: Rekordåren 1966, 1967, 1968… (The Record Years 1966/1967/1968)    2017Inngår i: Consuming the environment 2017 / [ed] Eva Ekstrand, 2017Konferansepaper (Fagfellevurdert)
    Abstract [en]

    ”The human in society. Society is a process. The distance between human beings and the decisions about their life conditions is increasing”. These words begin the final voice-over in the Swedish documentary film Rekordåren 1966, 1967, 1968…  from 1969.

    This film was the subject of one of the most intense debates in Swedish film culture in the late 1960s. In her film director Lena Ewert focused the city planning of Stockholm. With the national project “miljonprogrammet”(the million program), a mass housing public program supposed to put an end to the housing shortages, as a case Ewert discussed intertwining structures of regional planning, politics and national and international economics. The tendency of the film was overtly political, stating in the beginning of the film that through the “structural change” the institutions of international banking would strengthen their position and thus “influence would lay in the hands of a very few human beings”.

    The criticism of international capitalism was however not the major theme of the film. Instead Ewert and her collaborators heavily discussed the cooperation between the social-democratic government, local politicians of different ideological colour and representatives of banks, industry and building companies.

    This was not a very unusual theme of leftist activism in Sweden in the late 1960s. What makes Ewerts film especially interesting here - beside the fact that the film even nearly 50 years after its release stands out as a well-made, fresh and well informed cinematic statement of the most critical views of the time – is the way in which the film was discussed. Ewert made the film as a final examination in the national film school of The Swedish Film Institute (SFI). The filmed interviews with politicians, architects and researchers were thus done under the implicit assumption that the film was an internal work not to be shown in public. Short after the theatrical release, the film was withdrawn from public viewings after protests from some of the interviewed persons. Some of these were close friends with head of SFI.

    In my paper, I will discuss both the themes of the film and these political implications of how the film met (and did not meet) the public life in social democratic late 1960s Sweden. I will also discuss how the concept of documentary filmmaking changed during these years, making the interviewees (with obsolete notions on objectivity and trust) naïve victims of the observational and interactive modes of the then new documentary filmmaking that Ewert represented. The asymmetric relationship between the (filmed) men of power, the powerless (female) filmmaker and the world of Sweden in 1969 viewed in the film, could finally lead to intriguing perspectives of vulnerability – regarding public life and notions of the representation of reality, as well as power and society in a larger sense. 

  • 60.
    Vesterlund, Per
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Filmvetenskap.
    Vägen till filmavtalet: Harry Scheins filmpolitiska aktivitet innan 19632013Inngår i: Nordisk kulturpolitisk tidskrift, ISSN 1403-3216, E-ISSN 2000-8325, Vol. 16, nr 1, s. 45-67Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Harry Schein (1924–2006) is without question one of the most influential Swedish film and media politicians. His most famous achievement was the major Swedish film reform of 1963, when the state and the film industry came to an agreement on the financing and administration of a new film subsidy. The process that preceded the Swedish film reform of 1963 was longer and more complex than is usually noted. In the article this process is described and investigated through two interwoven narratives: one deals with the institutional and cultural conditions that preceded the reform, the other with the role of Harry Schein in the process. This is accomplished in the article by focusing on Harry Schein’s own writings and activities in the area of film politics from 1946 to 1962; the time when the film reform was initiated.

  • 61.
    Vesterlund, Per
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Medie- och kommunikationsvetenskap.
    We have our own song: Documenting an alternative media event2021Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    We have our own song - The music movie (Vi har vår egen sång – musikfilmen) is a Swedish musical documentary produced in 1976 that documented the so-called alternative music festival that was aired live from Stockholm by the public service channel TV2 on March 21, 1975. This film is a rare case of interaction between different institutional contexts in the Swedish 1970s associated with national left-wing culture and an example of how the radical zeitgeist was manifested in an alternative media event. The film will be discussed from two different perspectives. First, it will be presented as a well-documented case-study of the strategies of Swedish film producers to gain subsidies from the Swedish film institute in creative manners. Second, its qualities as a unique audiovisual representation of the alternative music movement of Sweden in the 1970s, which at the time was reaching its peak, will be highlighted.

  • 62.
    Vesterlund, Per
    et al.
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Filmvetenskap.
    Andersson, Lars Gustaf
    Lunds universitet.
    Sundholm, John
    Karlstads universitet.
    Introduction2013Inngår i: Nordisk kulturpolitisk tidskrift, ISSN 1403-3216, E-ISSN 2000-8325, Vol. 16, nr 1, s. 5-8Artikkel i tidsskrift (Annet vitenskapelig)
  • 63. Vesterlund, Per
    et al.
    Hyvönen, Mats
    Department of Media and Communication Science (MKV), Mid Sweden University, Sundsvall.
    Snickars, Pelle
    Institutionen för kultur- och medievetenskaper, Umeå universitet, Umeå.
    Efterord2015Inngår i: Massmedieproblem: Mediestudiets formering / [ed] Mats Hyvönen, Pelle Snickars & Per Vesterlund, Lund: Lunds universitet , 2015, 1, s. 397-405Kapittel i bok, del av antologi (Fagfellevurdert)
  • 64. Vesterlund, Per
    et al.
    Hyvönen, MatsDepartment of Media and Communication Science (MKV), Mid Sweden University, Sundsvall.Snickars, PelleInstitutionen för kultur- och medievetenskaper, Umeå universitet, Umeå.
    Massmedieproblem: Mediestudiets formering2015Collection/Antologi (Fagfellevurdert)
  • 65.
    Vesterlund, Per
    et al.
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Media- och kommunikationsvetenskap.
    Hyvönen, Mats
    Mittuniversitetet.
    Snickars, Pelle
    Umeå universitet.
    Mediestudiets formering: En introduktion2015Inngår i: Massmedieproblem: Mediestudiets formering / [ed] Mats Hyvönen, Pelle Snickars & Per Vesterlund, Lund: Lunds universitet , 2015, s. 13-52Kapittel i bok, del av antologi (Fagfellevurdert)
  • 66.
    Vesterlund, Per
    et al.
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Filmvetenskap.
    Snickars, PelleIlshammar, Lars
    Citizen Schein2010Collection/Antologi (Fagfellevurdert)
  • 67.
    Vesterlund, Per
    et al.
    Högskolan i Gävle, Akademin för utbildning och ekonomi, Avdelningen för humaniora, Filmvetenskap.
    Snickars, Pelle
    Ilshammar, Lars
    Citizen Schein: En introduktion2010Inngår i: Citizen Schein / [ed] Lars Ilshammar, Pelle Snickars, Per Vesterlund, Stockholm: Kungliga biblioteket , 2010, 1, s. 6-29Kapittel i bok, del av antologi (Fagfellevurdert)
12 51 - 67 of 67
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