The Prose Edda chapter, Ragnarok as recorded by Snorri, was taken as a pivotal point for exploring fate according to the Norse mythology. The eschatological concept of collapsing gods and destruction of the world was explored through the logical and theological fatalist theory, diverging the orientation from standard textual exploration. The thesis examines the concept by employing the methodology of hermeneutics to scrutinise the text. The analysis derived results confirmed the existence of belief in fate embedded in the text; the logical fatalism that polarises statements by their truthfulness, even though it was not found or indicated textually, provided a strong contrast to theological fatalism, evidenced throughout the text. The weak theological fatalism (determinism) was suggested in the findings based on Ragnarok text, by which the inexorable change of aeons as set-in motion by the Universal Force (predicted by the three Volvas), does not entirely compromise the Aesir's free will; such as the cosmic order includes the free will in its mechanism; while Aesir's voluntary choice was dependent on God's forescience, it was still free to operate within the remit of its emission, unperturbed within the cosmic design. The Nietzschean concept of Amor Fati (Love for Fate) in accepting the inevitable, through the cyclicality of time, and as it appears with a reason that is to keep one happy, additionally illuminated our understanding of fate in Ragnarok. To counterbalance this idea and bring it into equilibrium, I reflected upon the notion of "Designer of Destiny", whereby human beings are assumed to run the entirety of their destiny, soon to learn that this human urge clashes with theit biology (over which they do not have complete control) and the cosmic power that has already predetermined the human path.